مصرفِ موسیقی و نسبتِ آن با سرمایۀ فرهنگی: یک مطالعۀ کیفی در شهر تهران

Document Type : sience

Authors
Mosareza Gharbi 1
Amin Koushki 1
hossein askari 2
1 Hakim Sabzevari University
2 Tehran University
Abstract
پژوهشِ حاضر از منظرِ روش‌شناسی کیفی به بررسی تفاوت‎های موجود در نوعِ موسیقی مصرفی جوانان شهر تهران و تفسیر ایشان از آن می‎پردازد. جهتِ فهمِ جامعه‌شناسانۀ تفاوت‎های مصرفِ موسیقی جوانان این موضوع از رهگذرِ سرمایۀ فرهنگی_ که عاملانِ اجتماعی با توجه به جایگاه اجتماعی‌شان آن را کسب کرده‎اند،_ مورد بررسی قرار گرفت. با توجه به داده‎های متنی پژوهش، پژوهشگران از میان روش‌های کیفی روشِ تحلیلِ محتوای کیفی را انتخاب کرده‎اند. داده‌های پژوهش از طریقِ مصاحبۀ نیمه‌ساخت‌یافته با مشارکت‌کنندگانِ پژوهش گردآوری شده است. با توجه به اهدافِ پژوهش جریانِ انتخاب مشارکت‌کنندگان بر مبنای نمونه‌گیری هدفمند صورت یافته است. پژوهشِ حاضر تفاوت‎هایی که میان کنشگرانِ جوانِ با سرمایۀ فرهنگی متفاوت در حوزۀ مصرفِ موسیقی و تفسیر آن وجود دارد را در قالبِ مفاهیم و مقولاتی نشان داده است. این مفاهیم و مقولات عبارت‎اند از: 1. ذائقۀ تربیت شده و ذائقۀ حسی 2. هارمونی و شوریدگی 3. رهنمون‎های مذهبی: مواجۀ نقدآمیز و مواجۀ طردآمیز 4. شنیدن ناشنیدنی‌ها و دیدن نادیدنی‌ها و 5- بخشی از ما. نتایج پژوهشِ حاضر نشان می‎دهد، مادامی که کنشگرانِ اجتماعی در سطحِ بالایی از سرمایۀ فرهنگی قرار دارند، در زمینۀ مصرفِ موسیقی به سمت نوعی فرهنگ‌گرایی رغبت و گرایش دارند. اما در نقطۀ مقابل کسانی که سرمایۀ فرهنگی به میزان اندکی در اختیار دارند به طبیعت نزدیکتر هستند. به عبارتی، ایشان قادر نیستند خود را وارد کدهایی کنند که با آن بتوانند موسیقی‌هایی نظیر سنتی، کلاسیک غربی یا موسیقی باروک را بازشناسی کنند. بنابراین از دو مفهومِ محوری فرهنگ‎گرایی و طبیعت‎گرایی جهت صورت‎بندی کردند،‎توان استفاده کرد.

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Society Culture Media
Volume 11, Issue 45
Winter 2023
Pages 159-188

  • Receive Date 08 October 2022
  • Revise Date 21 November 2022
  • Accept Date 23 November 2022