analysis of the iconographic form in the Razahshura curtain

Document Type : Tarviji

Author
No
Abstract
Screenwriting is one of the most popular arts in the Iranian culture that could link the events of Ashura with visual culture and turn the narrative into a narrative. The narrators with the poet in each street and the street read the curtains for the audience and transmitted Ashura's message and culture to the chest and to the generations. This art could be seen every day and used, but today there is no news of it. The photographers also plotted on the occasion of the event to be installed in holy places and houses on the walls, and the narrators with a curtain and self-esteem with audiences like the theoretical and theatrical theater To explain. In this article, the imam Hussein's imam's portrait and Ashura's afternoon events based on the screening on the screens are analyzed using the Faye Form method. The results suggest that the curtains, while expressing the emotional feelings, have been able to communicate with the audience. This connection, if accompanied by an oral narration, while the audiences express their feelings, regard the curtains as sacred object, which will interfere with the event of Karbala.
Keywords: typography, form analysis, karbala, ashura, imam hussein (AS)

Keywords


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Volume 9, Issue 34
Winter 2020
Pages 135-156

  • Receive Date 30 May 2019
  • Revise Date 07 July 2019
  • Accept Date 28 September 2020