1
Anthropology, Social Science, University of Tehran
2
Assistant professor, Social Communication, Social Science, University of Tehran
Abstract
Although the Iranian cinema has produced global outstanding movies which are great and splendid and Iranian cinema is different and distinguished with other current cinema models because of it`s special characteristic and features, the Iranian national cinema has not been formed (has not realized) yet. The main goal of this paper is describing the fields of communicative geography of Iranian national cinema to depict a more clear and framed road map for the filmmakers. It has not been written a paper focused on the communicative geography of Iranian national cinema yet. This paper has been written based on a qualitative interdisciplinary study on the Iranian national cinema. The main question of the paper is: What are the major fields of communicative geography of Iranian national cinema? The findings show that major fields of communicative geography of Iranian national cinema include: Persian language geography, Iranian marriage geography, migration geography, music geography, painting geography,
طباطبایی، جواد (1395). تأملی دربارۀ ایران، جلد نخست: دیباجهای بر نظریه انحطاط ایران با ملاحظات مقدماتی در مفهوم ایران، تهران: مینوی خرد.
عاملی، سعیدرضا (1384). هویتهای فرهنگی قدیم و جدید، رمزگشایی تمدنی و معماری سنتی- مدرن و ملی- فراملی، فصلنامۀ نامۀ صادق، ش 30.
فیاض، ابراهیم؛ حسین سرافراز و علی احمدی (1390). نشانهشناسی چشماندازهای فرهنگی در جغرافیای فرهنگی؛ راهبردی مفهومی برای فهم و کشف معنا، تحقیقات فرهنگی، دورۀ 4، ش 4، صص 116- 91.